POPÜLER KÜLTÜR VE ULUSLARARASI POLİTİKA: TÜRK DIŞ POLİTİKASININ ANALİZİNDE ALTERNATİF BİR YOL
Özellikle Soğuk Savaşın sona ermesinden sonra Uluslararası İlişkiler disiplininde popüler kültür araştırmaları yapılmaya başlanmıştır. Popüler kültür alanı ve Uluslararası İlişkiler disipliniyle ilişkisi, Uluslararası İlişkiler disiplinine verimli kaynaklar sağlamasına rağmen, Türk akademisyenler tarafından çok az çalışılmış ve dış politika ile ilişkisi ise çok az çalışılmamıştır. Uluslararası İlişkiler disiplininde popüler kültürü araştırmanın farklı yolları vardır ve bu makale bu alanı Türk Dış Politikası bağlamında daha iyi çalışmanın bir yolunu önermeyi amaçlamaktadır. Makale, popüler kültürün nasıl dış politika için bir alan haline geldiğini anlamak için Jutta Weldes tarafından önerilen Uluslararası İlişkiler’deki Sosyal İnşacılık yaklaşımının bazı unsurlarını kullanmaktadır. Gerçek hayatta karşılaşılan siyasi konuların ve popüler kurguların bir araya gelmesiyle yaratılan metinlerarasıcı anlam ile anlamın eklemlenmesi ve özne kimliklerine çekilmesini öneren ikili süreç, dış politikaları analiz ederken popüler kültürün neden önemli bir alan oluşturduğunu anlamamıza yardımcı olmaktadır. Bu bağlamda makale, popüler bir televizyon dizisi olan Kurtlar Vadisi: Pusu’yu ve onun dış politika konusunda nasıl rıza üretebileceğini incelemiştir. Tüm bunları detaylı bir şekilde açıklayarak, bu makale Türk popüler kültür çalışmaları ve Türk Uluslararası İlişkiler çalışmalarına katkıda bulunmayı amaçlamaktadır.
POPULAR CULTURE AND INTERNATIONAL POLITICS: AN ALTERNATIVE WAY TO ANALYSE TURKISH FOREIGN POLICY
Popular culture studies have been mushroomed in thediscipline of IR in the last decades. The field of popular cultureand its relationship with International Relations (IR)discipline are studied in Turkish IR scholars but some parts areoverlooked although it provides fruitful resources for IR.There are different ways to research popular culture in IR andthis article aims to suggest one way to better study it in thecontext of Turkish Foreign Policy (TFP). The article uses someelements of Social Constructivism in IR suggested by JuttaWeldes to understand how popular culture can be a site forconsent creation for foreign policies. These elements, the dualprocesses of articulation of the meaning and interpellation tothe subject identities and intertextual meaning created by thecombination of real political issues and popular fictions help usto understand why popular culture constitutes an importantfield when analysing foreign policies. In this context, a populartelevision series, Valley of the Wolves: Ambush and how it maycreate consent for foreign policies is examined. By explaining all these, this article aims to contribute to Turkish popularculture and Turkish IR studies.
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